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In
March 2009 BIGsmall curated a group exhibition called 'Our Books,
Our Lives' featuring contemporary Irish and Chinese art at the
SiNordic Arts Space in Beijing.
The idea for this exhibition grew from a seminar and exhibition
of Irish Contemporary Art called ‘Through Irish Eyes’
which Fion Gunn organised in China, in September 2007. The Irish
artists who participated in the exhibition and attended the
seminar in Beijing sought to identify
concerns that they shared with their Chinese peers.
Literature
and the iconography of the book have a very central cultural
significance in both Ireland and China. This exhibition explored
both the shared and the differing aesthetics used in the treatment
of this theme by the two cultures.
During
the Cultural revolution in China books were targeted as ‘bourgeois
artefacts’ and huge numbers of ancient texts were burnt.
With the repositories of history destroyed the story of China
could be rewritten with impunity. So in contemporary China the
‘Book’ has become a way of negotiating history and
memory, a way of bridging the gap between China’s literati
past, its cultural destruction and its increasingly capitalist
present. More than ever the ‘Book’ remains an icon
for all that is valued in Chinese culture and national identity.
Historically the art of the book and more recently internationally
acclaimed Irish literature, have both played a key role in shaping
the Irish sense of nationhood and legitimacy for a national
identity. Despite the fact that much of what is perceived as
‘Irish Culture’ was constructed in the last 200
years, the Irish language does have a long historical link to
the past, and this remains one of the most valid threads in
Irish history. Language, and hence the ‘Book’, is
arguably Ireland’s most authentic tradition and a way
of keeping faith with the past.
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